{title: Home} {artist: Edward Sharpe & the Magnetic Zeros} {album: Up From Below (2009)} {key: G} {tempo: 138} {difficulty: beginner} {tags: hearthside,duet,singalong} {video: youtube:DHEOF_rcND8} {credit: Edward Sharpe & The Magnetic Zeros - 'Home' (Official Video, from Up From Below, 2010). (c) Rough Trade Records.} {c: From the band's debut album. Built around Alex Ebert and Jade Castrinos's male/female vocal trade.} {c: Lyrics copyright the artists. Chord skeleton below.} {c: For full lyrics: the official music video.} {c: ===== KEY & CAPO =====} {c: Original recording in B♭. For guitar: play in G with capo 3 — exact original key, easy shapes.} {c: Whistle solo: original key is B♭, so a B♭ whistle plays the melody in first position.} {c: A D whistle works if you transpose the playing key to D (capo 7 with G shapes, or play out of D shapes).} {c: ===== STRUCTURE =====} {c: Verse (he) → Verse (she) → Chorus → Verse (both) → Chorus → Spoken interlude → Whistle solo → Final Chorus} {c: ===== VERSE PROGRESSION (G shapes, capo 3 for original key) =====} [G]________ [D]________ [Em]________ [C]________ [G]________ [D]________ [C]________ [G]________ {c: ===== CHORUS PROGRESSION =====} [G]________ [D]________ [Em]________ [C]________ [G]________ [D]________ [C]________ [G]________ {c: (Chorus and verse share the same progression — only the melody and dynamics change.)} {c: ===== WHISTLE / FIDDLE SOLO =====} {c: The recorded melody is on whistle. Your partner's fiddle plays it perfectly.} {c: Repeated motif on the I and V (G and D), held notes, descending phrase to land on the IV (C).} {c: Eight bars, memorable, learn it by ear from the recording.} {c: ===== HOW THE FAMILY BAND PLAYS IT =====} {c: Verse 1: husband sings lead. Light strum, fiddle out, kid out.} {c: Verse 2: wife sings lead. Same arrangement.} {c: Chorus: both voices on the "Home... home..." opening, kid joins on bodhrán four-on-the-floor.} {c: Whistle solo: husband on whistle (D or B♭), or partner on fiddle if no whistle handy.} {c: Spoken interlude: optional. Play it straight or skip it entirely. Both work.} {c: Final chorus: all voices, loud, all instruments.} {c: ===== WHY IT WORKS FOR YOU =====} {c: The vocal trade is structural — verse alternates male/female lead, chorus is both. The song is engineered for a duo. Your fiddle takes the famous whistle line and it transcribes perfectly. Three chords + a sweet melody + male-female call-and-response = exactly your band's sweet spot.}